FILM REVIEW : JOHN CARTER OF MARS

This is a film which is remarkable, and worth noting, not due to its storyline or themes, but because it draws together many cinematic and media threads indicative of planning by the Illuminati Controlling Elite. It does not necessarily tell us anything new; yet, there has hardly been a better film to demonstrate the planning and production cycles used by Elite-controlled media. 

John Carter of Mars is a Disney production. In light of which, the following report should be noted:

"These 6 Corporations Control 90% Of The Media In America"
[http://www.businessinsider.com/these-6-corporations-control-90-of-the-media-in-america-2012-6#ixzz1xsizbbF1]

Among the six corporations listed is Disney.

There has been close collaboration between Disney and Lucasfilm on a great number of projects, mainly through its special-effects branch, Industrial Light and Magic (ILM : read "Industrial Lucifer and Sex Magick"). Lucasfilm is the so-called "independent" film production company headed by the committed Kabbalist and Illuminati endgame promoter, George Lucas. Lucasfilm is also the former owner of Pixar, the studio famous for its animated productions under the directorship of Steve Jobs, the slain CEO of Apple, Inc.

Pixar is now a Disney subsidiary.

"George Lucas Says the World Will End in 2012"

[http://www.telegraph.co.uk/news/newstopics/howaboutthat/8273050/George-Lucas-says-world-will-end-in-2012.html]

Multiple production elements in John Carter of Mars directly echo and mirror symbols, colors, music, dialogue, and themes which have by now become rife in major media venues, including Star Wars, Transformers, Transformers: Revenge of the Fallen, Captain America, Ghost Rider: Spirit of Vengeance, Cowboys and Aliens, The Avengers, Doctor Who: Season Five, and so forth.

The music, sound effects, and desert visuals of John Carter transliterate and invoke the resonance of the Star Wars series.

The soundtrack is a shade off from being a dumbed-down carbon copy of John Williams' scores for the Star Wars films in general, particularly Episodes V and VI (The Empire Strikes Back; Return of the Jedi).

The flying vehicles operated in the film produce the same noise that was created by ILM for the racing scenes of Star Wars Episode I. They also exhibit the same engineering pattern (multiple wings and flexible fuselage) that has ABRUPTLY appeared in several films over the past two years, including Cowboys and Aliens, The Avengers, and John Carter.

There is a fight-to-the-death scene in an arena, an arena populated by essentially insectoid beings, and featuring massive beasts capable of horrific violence, that is very close to the arena scene, and associated scenes, in Star Wars Episode II.

GETTING TO THE ESSENCE

These other things, music and sounds, and making connections with other productions, is all well and fine. Ultimately, John Carter Of Mars must be judged by its episodes of dialogue, and also by its symbolism.

Dialogue: 

Jeddak [ruler]:  My people. I have failed them all.
Princess:  No...you haven't.
General: You have not seen this weapon. It radiates the most intense, baleful blue light.
[The Princess activates her energy machine. Blue light beams forth.]
Princess:  When I read our reports on Sab Than's weapon, I knew. Somehow that idiotic brute had discovered it first.
Jeddak:  Discovered what?
Princess:  The Ninth Ray. Unlimited power. Sab Than only uses it for slaughter. But think of what Helium might accomplish with such power. Transform the deserts, restore the seas.

BLUE LIGHT

Elemental blue-colored energy is used in mainstream media venues to present what the film Captain America characterized as "the power of the gods". In each case, where blue energy is represented, "unlimited" energy is the key, and the possession of it is the key to ultimate domination.

In the British TV series Doctor Who, Blue Light from a giant cube acts as a restorative force that saves the Earth from 2,000 years of domination and infection by Christianity and Jews.

In the Transformers film series, a technologically advanced cube (similar in design to that of the Pandorica cube in Doctor Who) holds the key to the creation of life. It harbors blue energy.

In Captain America, the Captain's nemesis, the Red Skull, ferrets out the location of a mystical cube (again) that offers the unlimited power of "the gods" in blue energy form.

In John Carter, the Blue Light is an energy called the Ninth Ray. The Ninth Ray makes all advanced technological activity possible, including endless energy, teleportation, super-swords (Star Wars lightsabers), etc.

THE NINTH RAY, THE INDUS, AND MASONRY

The "ninth ray" is the Ninth Gate, represented by Roman Polanski in his explicitly Satanic film, The Ninth Gate. In the Ninth Gate, a corrupt dealer in antiquities, named "Dean Corso" is charged with finding and collating the Nine Gates of Satanic worship that enable a man to receive god-like powers. Within the space of the film, he succeeds.

The name "Dean Corso" is worth some attention. It literally means "leader of the river".

In Doctor Who, a statement was given, in an episode entitled The Almost People, here worth quoting in full:

Jennifer:  "I've figured it out. When they destroy us, the eyes are the last things to melt. And there's a question in those eyes. Why? Why should we suffer for the sake of 'human beings'?

Man:  "I've heard in India there's over 10 million 'gangers' [artificial people]." ("gangers" = doppelgangers)

Jennifer:  They'll melt you.

Layers upon layers.

Here, "India" doesn't mean the nation of India. It means "Indus", the source of the name India. It means "river".

Here, 10 million artificial people doesn't mean ten million artificial people, in the strict sense of that. It refers to the number of Masons operating globally. You can look it up. The Illuminati do not intend to keep their lackeys around, once true havoc has arrived.

The reference to eyes is also not accidental.

In the Paul Bettany vehicle, Priest,

[makow site reference]

the following dialogue is delivered,

"The Church states that the eyes are the windows to the soul. Since vampires have no eyes, they have no souls."

In John Carter, the arena scene, closely reminiscent of Star Wars, involves a fight with giant White Apes who have no eyes. It's not coincidence. Nothing in Hollywood, or from the BBC, is coincidence.

It's layers upon layers, and they know precisely what they are doing.

THE ILLUMINATI ARE IN CONTROL : HAVE THEY ACHIEVED PHYSICAL IMMORTALITY?

More dialogue from John Carter (the main character is speaking with an immortal being whose clan is influencing history):

Carter: So what is your cause?
Elite: We have none. We're not haunted by mortality as you are. We are eternal.
Carter: I don't understand.
Elite: History will follow the course we have set, Earthman. And we've chosen Sab Than (read: Satan) to rule next. The ninth ray must remain in the hands of mindless brutes we can control.... We don't cause the destruction of a world...We simply manage it. Feed off it, if you like.... It always plays out in exactly the same way: populations rise, societies divide, wars spread. And all the while, the neglected planet slowly fades.

SUMMARY

What more need be said? What do you think is happening now?

If you think my broadly-drawn links are dubious, then I pity you, because that means you truly do not comprehend the minds of those who have the power to control where we are going. These are just the basics. I could write an encyclopedia on this.

Every visual, every theme, every sound has a source. Those sources were selected and decided upon.

Some of us see where they come from, and we are not fooled.